Jennifer Sansfacon
Artistic Director, Designer, Director
Costume Design

The two brothers face off in purposefully similar silhouettes but differing colors, showing that both men want the best but have different approaches to reach it.

Petra tries to comfort her mother. These costumes were modeled after magazine images and constructed to fit each lady perfectly.

Inspired by the Dust Bowl era, actors become many different characters through gestuse.

It has just been revealed that the Spanish Communist who put the mountain climbers pick in Trotsky's skull is in love with Mrs. Trotsky!


Andromache enters, and the Chorus looks on. Their costumes are ragged, draped chitons and scarves showing how far the mighty Tojans have fallen.

A story told all in memory, as if looking as a sepia colored photograph.

The bridesmaids are all ready to leave-- some are just more ready. One bridesmaid has spruced up her dress by raising the hem and lowering the neckline.

A Palastine guard is in love with a girl on the Islamic side of the fence. The military garb and abaya are further contrasted by using complimentary colors.

Here the girls are enjoying a moment after Sally Walker. The girls each wear a silk scarf skirt and have a scarf to use as a prop. Each was hand dyed using a tie-dyed technique.

Just another dysfunctional family. The kids are your stereotypical hellions, while Mom is someone you'd expect to see on Desperate Housewives.

Reality and one's inner voice mix, as the audience gets to see what we really think when we meet someone. The girls in the front represent the inner voice, and thus are exaggerations of their real selves in the background.

The four villagers discuss their options and whether or not they should return the sword to the Golden Samurai. Each villager had on several layers of kimono, creating differing silhouettes.

A quiet drink is shared. The characters' destitute is shown through the distressing techniques and age of the costumes.

A comedy about what really happened when Helen ran away with Paris. Analytikos wears the same blue as his king, which in contrast to other characters not shown.

A play set in the 20's dealing where we see reality and the Id/Ego. These two characters are meant to be well together and neat, with a similar pattern and color scheme to clarify that these characters exist in reality.

The guys are being watched by the detective. To bring out color, without being too bold, bright colored undershirts, ties, and kerchieves were used.

They're the nicest kids in town! Their style is more reminiscent of the old days-- the 50's. They are also in more pastel based colors. The african american group (not shown) is more 60's inspired, with bolder colors.

Kim gets married, while the girls from the club are all in attendance. Each girl wears the Vietnamese national/traditional outfit: an au dih.

It's Kim's first night, and she's just made it onstage. The men in the back are in varying stages of leave dress, and the officers are seen on the left.